The octave typically introduces the theme or problem using a rhyme scheme of ABBAABBA. The sonnet is split in two stanzas: the " octave" or "octet" (of 8 lines) and the " sestet" (of 6 lines), for a total of 14 lines. The convention was also mocked, or adopted for alternative persuasive means by many of the Inns of Court writers during the Renaissance. The form also gave rise to an "anti-Petrarchan" convention. As a result, he is often credited for integrating the Petrarchan sonnet into English vernacular tradition. While Surrey tended to use the English sonnet form in his own work, reserving the Petrarchan form for his translations of Petrarch, Wyatt made extensive use of the Italian sonnet form in the poems of his that were not translation and adaptation work. Sir Thomas Wyatt and Henry Howard, Earl of Surrey are both known for their translations of Petrarch's sonnets from Italian into English. The sestet begins with a volta which marks the change in rhyme scheme as well as the chane of the conflict into a solution or some form of resolution The next quatrain explains the problem or provides an exposition to the reader. The octave introduces a problem or conflict in the mind of the speaker, in the first four lines (known as the first quatrain). However, in Italian sonnets in English, this rule is not always observed, and CDDCEE and CDCDEE are also used. In a strict Petrarchan sonnet, the sestet does not end with a couplet (since this would tend to divide the sestet into a quatrain and a couplet). For background on the pre-English sonnet, see Robert Canary's web page, The Continental Origins of the Sonnet. This form was used in the earliest English sonnets by Wyatt and others. Some other possibilities for the sestet include CDDCDD, CDDECE, or CDDCCD (as in Wordsworth's "Nuns Fret Not at Their Convent's Narrow Room" ). Petrarch typically used CDECDE or CDCDCD for the sestet. The rhyme scheme means the last word of the line should rhyme with the pattern of ABBAABBA or other variants.
GradeSaver, 27 March 2015 Web.The rhyme scheme for the octave is typically ABBAABBA. "Keats’ Poems and Letters Compose a Sonnet in the Style of Keats".
Next Section Related Links Previous Section Frank Dicksee's "La Belle Dame Sans Merci" Buy Study Guide How To Cite in MLA Format Coyne, Susan. Write your own sonnet in the tradition of Keats, using one or more of his thematic elements: romantic love, the dominance of quickly-changing moods, the interplay of mortality and timelessness, and the search for beauty. The Petrarchan sonnet is divided into a rhyming octave, ABBAABBA, and a rhyming sestet, CDCDCD. The sonnet closes with a final rhyming couplet (GG). The rhyme scheme of these initial stanzas is: ABAB CDCD EFEF.
The first twelve lines are divided into three stanzas of four lines each: three quatrains. Shakespearean sonnets are fourteen lines long. The second beat of each iamb is stressed. Iambic pentameter is a type of meter in which the ten syllables employed in each line are divided into five pairs ("iambs" or "iambic feet"). He commonly used the Shakespearean/English sonnet form, as well as the Italian Petrarchan sonnet.Ī sonnet is typically composed in iambic pentameter. Keats used the sonnet form to compose many of his poems.